still from movt nr. 8: Un Chant D’Amour (2015)

movt nr. 8: Lobi Singi (2015)

movt. nr.8: Lobi Singi (04:20) will premiere at STAN/JAN Show:  ‘De Exotische Witte’ en ‘De Exotische Zwarte’ (The Exotic White en The Exotic Black) at De Balie in Amsterdam on 10 January 2014 at 20:15 hrs. movt. nr.8: Lobi Singi (2015)

still from movt nr. 8: Un Chant D’Amour (2015)

movt nr. 8: Lobi Singi (2015)

movt. nr.8: Lobi Singi (04:20) will premiere at STAN/JAN Show:  ‘De Exotische Witte’ en ‘De Exotische Zwarte’ (The Exotic White en The Exotic Black) at De Balie in Amsterdam on 10 January 2014 at 20:15 hrs. movt. nr.8: Lobi Singi (2015)

movt nr 3 artist book Marcel Pinas

De ontmoeting met Anana zal nog wel even uitblijven; Het onderzoek van Charl Landvreugd belicht vanuit het perspectief van zijn beelden

Beeldende kunst: Moderne Nederlandse Beeldhouwkunst De ontmoeting met Anana zal nog wel even uitblijven: Het onderzoek van Charl Landvreugd belicht vanuit het perspectief van zijn beelden (edited) Virginité de l’Europe #1 (2012) Kasper Tromp, Leiden University (c) 1. Thema’s in

movt nr 3 artist book Marcel Pinas

De ontmoeting met Anana zal nog wel even uitblijven; Het onderzoek van Charl Landvreugd belicht vanuit het perspectief van zijn beelden

Beeldende kunst: Moderne Nederlandse Beeldhouwkunst De ontmoeting met Anana zal nog wel even uitblijven: Het onderzoek van Charl Landvreugd belicht vanuit het perspectief van zijn beelden (edited) Virginité de l’Europe #1 (2012) Kasper Tromp, Leiden University (c) 1. Thema’s in

SX45_COVER_Charl Landvreugd

“If you are a big tree, we are a small axe.” : sx 45

sx 45: Volume 18, Number 3 45, November 2014, DUKE University Press * Wayne Modest: On the Self-Evidence of Blackness: An Interview with Charl Landvreugd where he speaks about Blackness and Dutch-ness and the Caribbean intellectual Tradition. * Charl Landvreugd:

SX45_COVER_Charl Landvreugd

“If you are a big tree, we are a small axe.” : sx 45

sx 45: Volume 18, Number 3 45, November 2014, DUKE University Press * Wayne Modest: On the Self-Evidence of Blackness: An Interview with Charl Landvreugd where he speaks about Blackness and Dutch-ness and the Caribbean intellectual Tradition. * Charl Landvreugd:

butt_come_first

I am not doing anything until I feel the need

In ‘butt come first’ (2014) Landvreugd investigates the relation between images of masculine attractiveness and desire.
He is referencing ‘White Bouquet’ (1987) by the artist Rotimi Fani Kayode who in his turn was in conversation with Manet’s ‘Olympia’ (1863).

‘butt come first’ was made for Joanneke Meester who made a perpetual daily calendar, where she asked 365 artists to respond to a statement she had written: I am not doing anything until I feel the need.

butt_come_first

I am not doing anything until I feel the need

In ‘butt come first’ (2014) Landvreugd investigates the relation between images of masculine attractiveness and desire.
He is referencing ‘White Bouquet’ (1987) by the artist Rotimi Fani Kayode who in his turn was in conversation with Manet’s ‘Olympia’ (1863).

‘butt come first’ was made for Joanneke Meester who made a perpetual daily calendar, where she asked 365 artists to respond to a statement she had written: I am not doing anything until I feel the need.

Atlantic Transformerz Dakar Seaside

Atlantic Transformerz: île de Ngor (2014)

Last film of the four year project Atlantic Transformerz. Filmed at the most western point of Africa île de Ngor, looking over the Atlantic Ocean.

Atlantic Transformerz Dakar Seaside

Atlantic Transformerz: île de Ngor (2014)

Last film of the four year project Atlantic Transformerz. Filmed at the most western point of Africa île de Ngor, looking over the Atlantic Ocean.

Atlantic Transformerz Dakar

Atlantic Transformerz Dakar – the making of

  While representing the Netherlands at the Dak’Art Biennial 2014, Charl Landvreugd completed the last part of the Atlantic Transformerz project (2010 – 2014) in Senegal. The project was generously funded by the Mondriaan Fund in the Netherlands and supported

Atlantic Transformerz Dakar

Atlantic Transformerz Dakar – the making of

  While representing the Netherlands at the Dak’Art Biennial 2014, Charl Landvreugd completed the last part of the Atlantic Transformerz project (2010 – 2014) in Senegal. The project was generously funded by the Mondriaan Fund in the Netherlands and supported

1975-cover-image

1975: Contemporary Art and the Postcolonial Unconscious

In the title, 1975 refers to the year of the questionable transition from colonialism to postcolonialism. Project 1975 exposes some of the complex and unresolved issues arising from colonialism, and the ambivalence that is inherent to the term ‘postcolonial’. Contemporary

1975-cover-image

1975: Contemporary Art and the Postcolonial Unconscious

In the title, 1975 refers to the year of the questionable transition from colonialism to postcolonialism. Project 1975 exposes some of the complex and unresolved issues arising from colonialism, and the ambivalence that is inherent to the term ‘postcolonial’. Contemporary